Writing Romance by Victoria Chatham

 

Our Round Robin blog for Saturday, February 15th, is on the topic of Romance. If you write romance, what do you like (or dislike) about the genre and all other genres? Do you include romance in your stories?

I have always enjoyed reading romance novels, from my first Georgette Heyer Regency romance when I was thirteen to the latest contemporary romance. They were and are pure escapism, which is why I write romance.

Over the years, many people I have met who have learned I am an author have told me they could write a romance as “It’s only a basic formula, after all.” And as one close friend, who should have known better, once said, “Two people meet, fall in love, get married, have two children and a dog. The end.”

She had completely ignored the times she had seen or heard me almost pulling my hair out while trying to determine the nuances of building my characters to make them unique and plausible or deciding what subplot would best create confusion and conflict in their burgeoning relationship.

Romance Writers of America defines romance as ‘two basic elements comprise every romance novel: a central love story and an emotionally satisfying and optimistic ending.’

As with any genre, subplots and conflict are necessary parts of the storytelling process if you want to

keep your reader engaged, but in a romance novel, the love story must be the main focus. Romance novels swing through a whole arc from sweet to super hot and in many subgenres, from historical and contemporary to fantasy, young adult, and paranormal, and at each end of the scale, spiritual to sexy. Whatever the heat level, our romantic couple must risk everything for each other before they get their happy-ever-after or happy-for-now ending.

I enjoy writing romance, especially historical romance, because I love putting my very proper heroines into unexpected and sometimes dangerous situations. They are not simpering sampler stitchers but real live flesh and blood, up and at ‘em in-your-face type gals. As I have often been told, my heroines are far too out of the box for a traditional Regency romance, but those are the kinds of characters I like, so that’s what I write and make no apologies for. The fact that my research into the historical facts for the Regency years (strictly 1811 – 1820) is in-depth and solid enough to create my settings and clothe my characters realistically is rarely, if ever, commented on.

My heroes, the guys who often raise their eyebrows at the shenanigans my gals become embroiled in,

 Vincent Cassel

are, indeed, my heroes. No one is perfect, but my heroes are perfect enough in my eyes to take centre stage and support, thwart, or otherwise involve themselves with my feisty, fearless females. For both leads, I find images on the internet on which to base physical features and build up their character profile. Actor Vincent Cassel, shown here, was the inspiration for Lord Lucius Clifton in The Berkeley Square Series.

Novels set before 1950 are considered historical, and my historical romances have covered the years 1814 to 1818 (Regency) 1907 to 1918 (Edwardian) and 1935, this last being Book #1 in BWL Publishing Inc’s Canadian Historical Brides Collection.

I am currently working on a cozy mystery series, but I have no doubt that I will eventually return to where it all began, particularly as another writer friend challenged me to write a Scottish Regency romance. Hmm. That might mean a return trip to Edinburgh!

Thanks to Skye Taylor for this month's topic, and welcome to our new bloggers, Belinda Edwards and Sally Odgers. 

Bob Rich   https://wp.me/p3Xihq-3pV

A.J. Maguire http://ajmaguire.wordpress.com/

Belinda Edwards https://booksbybelinda.com/blog/

Helena Fairfax http://www.helenafairfax.com/blog

Connie Vines http://mizging.blogspot.com/

Diane Bator https://escapewithawriter.wordpress.com/

Sally Odgers https://behindsallysbooks.blogspot.com/2025/02/romance.html

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

 

Happy Christmas!

 

Saturday, December 21st, is our gift of fun writing blog post day.

I'm not a winter person, so my family who all live in the UK, is still puzzled as to why I ended up in Canada, where there is so much winter. I have been here long enough to have experienced snow every month of the year.

My preference for Christmas would be for it to snow on Christmas Eve, stay for Christmas Day, and then disappear on Boxing Day. As Alice says in my short story All I Want For Christmas, included in the anthology A Cowboy This Christmas, snow at Christmas is like cake with icing.

It's not that we didn't have snow in the UK. I'm old enough to remember the winter of 1947 and then the flooding the following spring when it thawed. In December 1962, it started snowing on Boxing Day, and we had snow lying around until June 1963. This was one of the coldest winters on record for the UK. 1978-79 was another cold winter. We lived in a 300-year-old country house without central heating or double-glazed windows at the time, so it was COLD. We kept warm with a solid-fuel stove in the family room and an open fireplace in the dining room. Hot water bottles and extra blankets were required for bedtime.

But, despite the cold, the snow did give us some good memories. This is the willow tree in my backyard which looked like a decoration all on its own

and Charlie, one of my dogs, just loved being outside.

That was the year my sons decided a dog team would be a great idea to go to the local store about a mile away. Charlie, Sue, and Tim (those latter two dogs not so keen on the winter weather) were somehow hitched to an old toboggan. To the cries of 'mush, mush,' the dog team sat down, looking bewildered, and then 'mushed' back indoors as soon as they were unhitched.

Whatever the weather is in your part of the world, there is nothing more rewarding than curling up in a cozy chair with a good book. What better than this anthology of short, sweet, contemporary Western romance stories from nine authors? Cowboys and Christmas, what could be better?

My story is entitled All I Want For Christmas. Rancher Luke Evans expects to spend Christmas alone. His brother is a professional musician who is always on the move and hasn't been home for Christmas in years. Their father finally gave in to their mother's longed-for winter cruise and booked it as a Christmas present for her with some additional encouragement from Luke who volunteered to stay at home and look after the ranch.

A snowstorm (of course there's a snowstorm! It's winter in Alberta, Canada) strands Kate Cooper and her five-year-old daughter Alice at the ranch. While the child's smile warms Luke's heart, will widowed emergency nurse Kate dare to love again? Could she and Alice become the family he always wanted?

That's the simple premise, but there is a lot more to this family story. Luke's brother arrives with a new wife on his arm, followed by their parents, who gave up on the cruise because Mom realised a cruise couldn't beat home sweet home.

So, all the ingredients for a happy family Christmas are there. It's the 'sweetest' thing I have ever written, and I had fun writing it. If you'd like to take a look, here's a link:

A Cowboy This Christmas:

https://draft2digital.com/book/1131788

Now, I want to visit my fellow bloggers and see what fare they have served for this month.

 

Helena Fairfax  http://www.helenafairfax.com/blog

Anne Stenhouse  http://annestenhousenovelist.wordpress.com

Connie Vines  http://mizging.blogspot.com/

Dr. Bob Rich   https://wp.me/p3Xihq-3nE

Diane Bator  https://escapewithawriter.wordpress.com/

Marci Baun  http://www.marcibaun.com/blog/

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

Careers for Characters

Well, that month went by fast, and here we are in November, considering "the right career for your characters."  So, how do you build a career for your cast list?

In my Regency romances, careers as we understand them did not exist for most of my heroines, but they were trained from a young age to expect to manage a household and raise a family. Today, we consider that a career rather than an expectation. However, my leading ladies all had a streak of independence and wanted more than being lady of the manor.

Emmaline followed in her father’s footsteps and became a spy in the Peninsular Wars. Juliana learnt to sword fight because she didn’t want her brother to have all the fun, and Olivia loved books and knew her way around libraries. One of my Regency belles, Hester, was an herbalist and healer. Charlotte learnt map-making skills from her father and millinery from her mother. Phoebe grew up on a farm and became a competent horsewoman. Tilly, my Brides of Banff Springs heroine, became a chambermaid at the famous Banff Springs Hotel. The heroine of my new cosy mystery series is a sixty-six-year-old retired primary school headmistress.

I don’t recall having to create a career for any of them, as they all evolved organically. Charlotte was the only one who gave me any trouble. As I saw it, the story was that Charlotte would be a lady’s companion in a quiet country home. I thought she might become the vicar’s wife, very genteel and respectable, but Charlotte wanted adventure, so that was what she had, and then some. It took me a while to figure out a connection between spying and map-making, smuggling and millinery, but once I built her backstory, it came together quite quickly.

When we start writing, we are encouraged to write what we know. I knew very little about any skills my heroines needed other than using herbs and horseman(woman)ship. I’ve been around horses since

Those were the days.

I was five years old and became interested in herbalism at age nineteen. My kids used to take one look at my preparations and grumble that ‘Mum’s doing her witchy thing again.’ Spying during the Napoleonic Wars was rife, and the Duke of Wellington was rumoured to have a network of some four thousand spies. I have always liked maps, so it wasn’t too hard to work that theme into Charlotte’s story. The millinery, not so much. I don’t know how many YouTube videos I watched on sword fighting, but that grew to a new level when I attended some fencing classes.

As the author, you can choose any career for your character, but they will tell you what they like and don’t like, what they can and can’t do, and what they might want to learn. Authors may use their own experiences of a career, as John Grisham did with his legal thrillers, or let their imaginations run wild as J.K. Rowling did with Harry Potter. With judicious research, you can build careers for your characters about which you, the author, know nothing or a little. Dick Francis, the author of over forty horse-racing-related thrillers, had many different careers for his characters, from glassmaking to art, horse transport to meteorologist, a barrister to a movie star playing detectives on the big screen.

Once an author has the career background, has done the research, and has begun writing, what emerges is as authentic as possible. However, I hope none of my future characters wants to climb mountains or be a trapeze artist, as I have no head for heights. Now, I will drop in on my fellow bloggers and see their take on the subject.

  

Helena Fairfax  http://www.helenafairfax.com/blog

Anne Stenhouse  http://annestenhousenovelist.wordpress.com

Connie Vines  http://mizging.blogspot.com/

Dr. Bob Rich   https://wp.me/p3Xihq-3m7

Diane Bator  https://escapewithawriter.wordpress.com/

Marci Baun  http://www.marcibaun.com/blog/

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

 

 

Indie or Not?

The topic for this month is -  Indie or Not? Some of us have tried both. Some are one or the other. What do you like about being traditionally published? What do you like about being an Indie or a contrast if you've done both?

My first experience of Indie publishing was also my last. However, I have to say that if it had not been for that first foray into the great unknown world of Indie publishing, I might not have been published at all. Few people knew about self-publishing back then, circa 2010. Articles on self-publishing cropped up in trade magazines and nascent online forums, but I honestly believe my writing group was way ahead of the game.

Spearheaded by our president, who said she could write a book with anyone, we created a town, characters, and plot lines. And so the Bandit Creek project began. We could ‘borrow’ anyone’s characters, and each story had to include the mysterious character, Jack. The project covered all genres to accommodate such a diverse group of writers. Our fictitious western town was founded in 1867 after a gold strike and ran through to the present day, so the project covered all genres to accommodate such a diverse group of writers. From historical to sweet romance, paranormal and mystery, we published two books every month, on the first and fifteenth, for twelve months.

My book was due to come out on the March 15th, 2012. I had uploaded it to Amazon Kindle, following their instructions (as I thought), but every time I checked it, the title page was missing, or the formatting had shifted. I was at the end of my limited experience, and it showed. I remember printing out the instructions, ticking off each item as I addressed it, and double-checking before I clicked ‘publish.’ My publication date drew nearer. I had nightmares and sweated buckets, but thanks to another group member helping me with my upload, I did not miss my deadline.

The Bandit Creek project served many of us well, some not so much. Several writers dropped out altogether after the fact. Some, like myself, kept writing. I didn’t want to repeat what, to me, was a stressful process, so I looked for a traditional publisher when my next book, a Regency romance, was completed. My first attempt at signing on with an agent was short-lived. I met her at a writers’ conference, and after my pitch, she invited me to send her the full manuscript, which I did. It came back with a ‘love, love, love your writing’ comment, but she suggested I add a strong sub-plot and re-submit. As encouraging as that was, six months had passed by the time I did that (I am not a fast writer) and resubmitted. In the first instance, she responded two weeks after my submission; the second time, I received a thank you note from her assistant the day following my submission, with a comment that the agent ‘could not connect with my writing.’ Go figure.

I tidied up the manuscript, and after receiving a positive response to a query letter I sent to an editor at Kensington Press in New York, I sent it off again. I received a gushing response from the entry editor, who said that as far as he was concerned, it was publication-ready, and he was sending it ‘upstairs.’ I took that to mean it was going on to a more experienced editor. Then Hurricane Sandy hit, shutting New York City down for weeks.

Now, not being a spring chicken, I was not prepared to wait for months, maybe a year or more, and watch another birthday or two come around before knowing if Kensington Press would say yea or nay, so I found another publisher. After listening to my pitch, she asked if I would send the book to her. I did. Three days later, I was offered publication. Ten days later, the book became available as an Amazon Kindle e-book, and I’ve been with that publisher ever since.

Several of my writer friends are totally self-published. They love working with a cover artist, finding editors, uploading their manuscripts, and being almost fully reimbursed for their efforts. They can check their Kindle account and see how their sales are progressing or where their books are being sold. They like being in the captain’s chair and having total control.

But, speaking for myself, I’m not so adventurous and don’t mind paying a percentage of my sales to have all that work done for me. Had I been younger when I started writing and publishing, I’m not sure what my attitude would have been. Right now, I’m happy to stick with what I know best: the writing. I wonder what my Round Robin colleagues will have to say.

Connie Vines  http://mizging.blogspot.com/

Bob Rich  https://wp.me/p3Xihq-3l0

Diane Bator https://escapewithawriter.wordpress.com/

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

 

 

Changing Horses

 Here we go with September’s Round Robin topic. This month's blog will be about the wisdom and experience of trying a new genre.

This topic couldn’t have come at a more appropriate time because I am about to start writing a cozy mystery series after having written ten historical romance novels and three contemporary western romances.

So why change horses in mid-stream? Much sage advice has been written about whether an author should change genres. Although I have enjoyed every bored lord and feisty heroine in my historical romances and sexy ranchers and their ladies in my contemporary westerns, my go-to reading for light relief has always been mysteries and, more recently, cozy mysteries.  

Part of building an author brand is promising your readers sure-fire content and delivering it, so for an author, changing genres might be the kiss of death as there is a chance of losing readers. In the past, it was almost a must-do to have a pen name for a separate genre—think Nora Roberts writing mysteries as J.D. Robb—which might mean a workload that would daunt many authors. Two names might require two websites, newsletters, e-mail addresses or whatever media platform the author prefers.

However, this isn’t always the case. Jude Devereux writes historical romance with a side of paranormal and mystery under her name. Carolyn Brown and Alyssa Cole both write historical and contemporary romances as their selves. In these instances, and I’m sure there are many more, the author is the brand. If readers like your work, I think they will follow you out of curiosity, if nothing else.

Whether romance, paranormal, YA, sci-fi and more, every story contains the who, what, why, where, and when writing principle of journalism, which carries over into all fiction. Who are the leading characters? What are they doing, and more precisely what is being done to whom? Why is it being done? Where does that old road lead, or where will the spaceship land? When did XYZ become a vampire, or did ABC know FGH was a werewolf?

The classic cozy mystery format is that a body is found, often on the first page but usually in the first chapter, an amateur sleuth investigates and reveals the murderer. It sounds simple, but starting with the problem is like working backwards compared to my previous books. What I like most about cozy mysteries is that there is no bloody description of gunshot or knife wounds, or other causes of death. Sometimes, there is no description at all, only the information that someone has been found dead. This cuts out much research into weapons and the feasible wounds they produce—likewise, any police or legal protocols. A cozy mystery is not a police procedural, so there is little need for more than a detective on hand or a detective inspector and his sergeant, as in the Midsomer Murders TV series.

I have several more historical romances that I could write about, but thankfully, my publisher has accepted my proposal for three cozy mysteries. I have my characters, victims, and plots, and I am itching to begin writing. It remains to be seen if my readers will enjoy them. I could lose some, but on the other hand, I could gain a new following. Time will tell.  

Now, I will see what my fellow bloggers have to say.

Bob Rich at https://wp.me/p3Xihq-3jJ 

Anne Stenhouse http://annestenhousenovelist.wordpress.com

Connie Vines http://mizging.blogspot.com/

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

The Dreaded Information Dump and How to Avoid It.

  

Here we are in August already. How did that happen? This month's Round Robin blog concerns the dreaded “Info Dump” and what tactics we use to ensure the reader knows what the reader needs to know without the big information dump.  

The problem with information dumping, literally giving too much information at once, is that it slows the story's pace and will likely bore readers. It is often telling when the author could be showing their story by creating active characters and events. An author could also be accused of lazy writing because it’s frequently easier to tell than to find the right combination of words to paint a picture.

So, how do thoughtful writers work around this? I used to be a total pantser. I had my characters and a storyline, and I sat down and wrote, usually editing the last chapter before starting the next one. The more I wrote, the more I found that this method often created a sagging middle, so I plotted a little to avoid that.

My method now is a combination of both. I have always created a character chart for my primary and secondary characters, showing their physical details, likes and dislikes, hopes and fears. Now, I spend more time plotting the story arc to see what curveballs I can throw their way at relevant points. An instance of enhancing fear is Indiana Jones getting into a plane and finding the pilot’s pet snake, Reggie, and yelling, “I hate snakes, Jock.”

I follow the three-act structure for novel writing but concentrate on pinch points, those milestones where you can increase the conflict and tension. This can frequently be achieved by using dialogue. Once I have plotted the arc of my story, I throw in suitable problems for the genre I’m writing, and then I sit down and write the first draft as it comes, warts and all. That’s what first drafts are for. It is one way of getting everything in my head onto the page, good, bad, or indifferent. I believe Nora Roberts said you can’t edit a blank page, so the editing begins once that first draft is done.

Have I used too much description of each character's physical looks or what they wear? What they look like is less important than what they do. Have I waxed long and lyrical in describing the setting? That is all good in a literary work but not so much in popular fiction. Readers are usually pretty smart, so they don’t need every detail, more a snippet to create a mental image or a question that keeps them turning the pages.

Long paragraphs or lines of dialogue are another area I go through with a fine-toothed comb. In that paragraph, can I lose at least ten words? This is often easy when eliminating the dreaded filler or crutch words. In my last novel, apart from the had’s and was’s and numerous other fillers, my crutch word was really. Really? Indeed. We are also told that the devil is in the details, but when is a detail one too many? I wrote a scene describing a guest room. My editor commented that it read like a furniture catalogue. Harsh? Maybe, but point taken. I removed more than half of the décor details and distributed the rest via the heroine’s actions as she moved about the room. Job done.

Now that this blog job is done, I will visit these authors to see how they deal with info dumps.

 Anne Stenhouse http://annestenhousenovelist.wordpress.com

Connie Vines http://mizging.blogspot.com/

Helena Fairfax http://www.helenafairfax.com/blog

Diane Bator http://dbator.blogspot.ca/

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea

Bob Rich https://wp.me/p3Xihq-3i8

 

 

 

 

 

 

 

 

How Do You Deal With Stress?

 

For our Round Robin blog July topic, Skye Taylor asked about stress in our lives and how it affects our writing, or do you write in spite of it?

Let’s face it – who doesn’t have stress these days? In a nutshell, whether it’s the economy,politics, our health, news from the latest war zone, or dealing with the daily commute, everyone can experience stress. Science has proved that stress is bad for our hearts and blood pressure, plus a multitude of other physical issues, from migraines to panic attacks, fatigue to nausea, and can ultimately affect our immune systems.

Yes, medication can and does help alleviate symptoms of stress, as does yoga and meditation, along with learning to breathe correctly. But it takes regular daily practice, and that’s time not everyone wants to spare in their busy lives.

While stress can cause one to become indecisive along with a lack of concentration, the upside of stress for me is that it sharpens my focus. I am a procrastinator. I can look at the calendar and think, I have plenty of time to do that. Of course, regardless of what I have planned out on the calendar, life tends to happen in all its wonderful and not-so-wonderful ways. Then, it’s down to the wire with what I must get done in an even more specific time frame. Then the blinkers go on, and I zone out from everything around me and concentrate on the work.

It’s probably not the best way to work. The sensible way would be to write something, or several things, daily. In summer, that would be early in the morning. It could be any time of day in winter, but most likely afternoons. But then the sun shines, or a friend suggests meeting for hot chocolate, and there I go again.

However, once I have a work in progress, I get carried along on the crest of the story wave. Excitement rather than stress fuels my mind as I finish one chapter after another. If I need to take a break for some extra research or a lunch date, I take it, but don’t stress about it. I firmly believe that the art of writing isn’t always in the definitive butt in chair, fingers on keyboard maxim, but in what swirls around in our agile minds while we walk, doodle on a drinks mat, or do mundane chores. Laundry, anyone? Stressing about stress doesn’t help, but knowing what stresses you and taking appropriate action to alleviate it does, whether it is yoga, a spa night, or a walk in the park.

I’m interested to learn what my fellow bloggers say on the subject. I’m sure I can learn something from them.

 

Judith Copek - http://lynx-sis.blogspot.com/ 

Anne Stenhouse - http://annestenhousenovelist.wordpress.com 

Helena Fairfax - http://www.helenafairfax.com/blog 

Fiona McGier http://www.fionamcgier.com/ 

Skye Taylor - http://www.skye-writer.com/blogging_by_the_sea