This month's blog topic is Research for Your Novel - Love it or hate it? How important is it for your writing?
Oh, where to begin? First, for me, I have to say it is supremely important. As a writer of historical romantic
fiction, I could not imagine having written any of my books without a great
deal of research. The fact that I have always been a reader helped enormously
when I needed to go down the rabbit hole of research.
I say rabbit hole because I’m easily sidetracked by weird and wonderful snippets of history—a subject I really did not like and, therefore, paid little attention to when I was at school. Dates and the succession of kings made no impression on me, but as an adult, I was drawn into historical fiction because of the characters that populated those stories and, subsequently, the details of the fabric of their lives.
However, it wasn’t historical fiction that started me collecting odd facts about peoples' lives, but a contemporary Western romance. I
knew nothing of ranches and rodeos and thought the best way to find out was to
talk to people who did. Ranchers and working cowboys were brilliant—they somehow managed to keep straight faces while answering this city gal’s probably silly questions. I have written three contemporary Western romances now, and
each one needed someone’s input.
For Loving That Cowboy, I needed to know about
steer wrestling and conducted a telephone interview with a top Canadian performer. For Legacy
of Love, I pulled on conversations I’d had with stock contractor Harvey
Northcott, who just happened to have two Australian bull riders staying with
him for that year’s rodeo season. I knew nothing about grain bins, so after an online search, I contacted a company that made them. In Loving Georgia Caldwell, I needed to know about growing hay, and for this, my next-door neighbour, Don Hunt, was a valuable source. Sadly, Don is no longer with us, having recently passed after a long illness.
Research for my WWI novella, Shell Shocked,
took me to the Imperial War Museum in London, UK. I considered it a privilege to
read the actual, often poignant and moving, letters written by soldiers
from the trenches. Although some letters were heavily censored, the writer’s
thoughts, hopes, and fears were revealed in stark black handwriting. My Regency
research came with its own background as I grew up surrounded by the elegance
of Regency architecture in an area of Bristol, UK. More information was gleaned
from the novels of Georgette Heyer as regards fabrics and costumes, manners,
and what was expected from those gracing the upper echelons of society.
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| Royal York Crescent, Clifton |
My daughter and I had a wonderful day at the Costume Museum in Bath, including playing dress up. The costumes were handmade as they would have been, from fabrics either the same or similar to those available during the Regency. Even though my daughter is slim and trim, the corsets were not big enough for her, which only emphasized how tiny women were in that era. About the only thing we could both try on were the bonnets, which we did.
People truly are the greatest source of information, as
a website or book cannot speak to you in the same way. I wanted to know what living in pre-war Montreal was like, so I spent nearly a whole day with a lovely lady with whom I connected via a local seniors’ centre. She wasn’t sure how she
could help me, so I asked her to describe a typical day in the life of her and
her family. The images she depicted were vivid and fun, and I wrote notes like
crazy. A little of that interview crept into Legacy of Love.
Of all the research I have done for my books, the most
surprising was on my doorstep. In His Unexpected Muse, Lord Peter Skeffington
is a closet writer of romance novels and is published by the Minerva Press. I needed
to know how writers of that era phrased their writing and what style, if any,
was common. When I started an online search, I discovered the University of Alberta’s library in Edmonton housed an extensive collection of Minerva Press books in their Bruce Peel Special Collections library. I contacted them and was invited
to view the collection. On arrival, there was a library cart with my name
displayed, already stocked with the books I had requested. That was so
special.
I have made use of YouTube videos to learn how to sail
a schooner, set a broken leg, repair a torn rotator cuff, and cut cattle. I
spent hours in the archives of the Whyte Museum of the Canadian Rockies and the
public library in Banff when I was researching Brides of Banff Springs. I
returned home with fourteen books to read, having discovered that I could drop
them off at my local library when I was finished. An interesting side to this
is that I recently learnt that my accountant loves this book and has read it
several times. She also has a familial connection to one of the real-life
characters I refer to, Herb Paris, which makes it all the more real and special
to her.
Books on my shelves reflect my research, from A History of the Wife to The Age of Agony, Piracy, The Complete Servant and more, and I know I can get carried away with where research takes me. After a discussion during a workshop years ago on how much research is too much research, the presenter said, “Vicki, forget the research and write the damn book.” Sage advice, but darn it, I need to know this stuff before I start writing so that I can give my characters a bigger, broader stage on which to play their parts.
You can join me in learning what my fellow Round Robin bloggers have to say here:
Diane
Bator https://escapewithawriter.wordpress.com/
Anne
Stenhouse http://annestenhousenovelist.wordpress.com
Dr.
Bob Rich https://wp.me/p3Xihq-398
Connie
Vines http://mizging.blogspot.com/
Helena
Fairfax http://www.helenafairfax.com/blog
Skye
Taylor http://www.skye-writer.com/blogging_by_the_sea
