Monday, December 7, 2020

 November was busy with National Novel Writing Month. This year I set myself a 50,000 word target and I made it. I have only 10,000 or so words to add to it to have a new contemporary western romance in the bag. I'll be posting a new short story later this month, but just as a sample, here's my short story from last Christmas. Enjoy!


PORTER COLLIER'S CHRISTMAS ANGEL

  by Victoria Chatham

 

“Of course you’re coming home for dinner, Porter. It’s Christmas Day.”

Porter Collier moved the phone away from his ear and sighed.

“I heard that,” his mother said.

Porter removed his horn-rimmed spectacles and pinched the bridge of his nose to stave off the inevitable headache resulting from a conversation with his mother.

“Mother, Christmas is just another day. An expensive one for many people, which is why I prefer to stay here and work to make sure that I, and subsequently you and Aunt Min, can look forward to a prosperous New Year.”

“Don’t be so snippy,” his mother sniffed, “and it’s unfair to bring your aunt into this.”

Porter replaced his spectacles, knowing that he could not escape the mandatory dinner. “I have to go. I’ll see you later.”

He replaced the receiver in its cradle on his desk and stared gloomily out of his third-floor office window. Christmas was his least favourite time of year. He wished he could avoid it all. His mother, with every reason to not like the season, insisted on celebrating it.

Suddenly restless, he got to his feet, grabbed his jacket and headed for the main office. He knew he wasn’t the only one of his staff with issues on the whole Holly, Jolly, Jingle-jingle holiday. Even today, there might be someone with whom he could chat over a coffee.

He paused at the entrance to the central hub of his company, the workspace usually inhabited by more than thirty IT specialists. Today the desks were empty with not a soul in sight. About to leave, a sudden movement caught his eye. He peered through the glass pane, and his forehead creased into a frown as a blonde head emerged from beneath a desk, followed by a petite, decidedly feminine form.

Who was that?

Porter pushed the door open a little and heard indistinct muttering. He pushed the door all the way open and walked in.

“Can I help?” he asked.

The girl looked up, regarding him with a pair of cornflower blue eyes. Porter’s breath caught in his throat. He prided himself on knowing all his staff but had never seen this girl before.

“No, thank you,” she said. “I just dropped my phone.”

“Is it okay?”

“I think so. At least the screen isn’t cracked.”

“Well, if you have any problems with it, let the office manager know. There’s usually a couple of spare phones around if you need one.”

“Great, thanks for the tip.” She grinned at him. “What are you doing here? Shouldn’t you be at home with your family?”

“Shouldn’t you?” he said, his voice rasping a little.

She laughed at that. “Touché. Have you worked here for long?”

Porter cleared his throat. She had no clue as to his identity, and maybe that was a good thing.  “A few years now.”

“You must like it then.”

“Yes, I suppose I do,” he said, nodding his head. “How about you?”

“I’ve only been here a couple of months and love the flexibility of it. It’s awesome being able to come and work at midnight if I can’t sleep or on a weekend if I have a sudden breakthrough in fixing a problem.”

“Are you fixing problems today?” He would find things to do if that were the case and stay with her.

There was that grin again, the grin that transformed her into a cheeky, adorable pixie. “No, I’m only killing time until I go and take my girls out.”

That remark gave Porter cause to pause before curiosity overwhelmed him. “Forgive me for saying so, but you seem very young to have children.”

The grin turned into a laugh. “There’s nothing to forgive, and it’s not kids, it’s dogs. Mollie and Sheba. Would you like to come with us?”

Porter was inexplicably drawn to this girl and didn’t want to part company with her. He’d never had a pet of any kind but would walk a dinosaur to stay with her. “Do you think they’d mind?”

“I can’t imagine that they would, but I’ll warn you they’re a bit different.” She busied herself with stashing things in her purse, then took her coat from the back of her chair and shrugged it on.

“Different how?” Porter asked as he caught her collar and helped settle the coat into place on her shoulders. He couldn’t help noticing the garment was somewhat threadbare.

“They’re both old,” she said, “and some would say they’re not attractive dogs, so it’s not likely they’ll be adopted even though the shelter does its best. I like to visit them and take them for walks.”

“On Christmas Day,” Porter mused.

“On any day. Come on, there’s only one car in the lot, and it’s mine.”

Her small stature belied the speed of her walk and Porter had to hurry to keep up with her. The car was a Chevrolet Malibu that had seen better days. As she unlocked it, a thought struck him.

“Before I drive off with a stranger, shouldn’t I at least know your name?”

Again that laugh. “You’ll be quite safe with me, I promise. I’m Juliet Pym. And you?”

Porter thought fast. If he told her his real name, she might be embarrassed and drive off alone. He couldn’t let that happen. “It’s Brad, Brad Carpenter.”

He offered his hand across the hood of her car, and she took it. Her fingers, soft and warm, curled around his. She might as well have thrown chains around his heart.

“Then hop in, Mr. Carpenter, and I’ll take you away on my magic carpet.”

She put the key in the ignition, and the engine fired on the first turn. The bodywork might be a bit iffy, but there was nothing wrong with the motor. She headed out of town, taking streets Porter didn’t recognize. He opened the window, smelled salt in the air and knew they were heading towards the coast. The buildings they passed were older, run-down strip malls and single storey homes in a part of town that he didn’t know existed. Then she turned in to a dusty parking lot in front of a long, low building with a sign above the door advertising the Costa Animal Shelter.

Beyond the crumbling adobe brick wall, a cacophony of barking assaulted Porter’s ears.

“How many dogs do they have here?”

“At the moment about sixty, give or take. Monica updates the website every day, so chances are one or two might have been adopted out or fostered. Come on.”

She breezed through the double doors into a tiled lobby with a long reception desk at the back of it. Behind the counter, an open door revealed a yard shaded by olive trees.

Juliet rang the bell on the counter. “Yo, Monica,” she called. “I’ve come for my girls, and I’ve brought a friend.”

Instantly a sturdy figure darkened the doorway. As the woman came into the office, Porter took in her muscular brown arms and tanned face. A red bandana corralled her mop of long, curly toffee-coloured hair. As she set eyes on Porter, she smiled, revealing a set of healthy white teeth.

“This is Brad,” Juliet said. “He’s going to walk the girls with me today.”

“No problem. Just sign Mollie and Sheba out before you leave. You know where the leashes are. Nice to meet you, Brad. You’ll have to excuse me. I’ve got half a dozen puppies on the go out here.”

She waved and ducked back out the door.

“Hello, to you too, Monica,” Porter said to her retreating back.

Juliet laughed. “There’s usually at least four on staff. As it’s Christmas Day, Monica lets the others go home after the morning feeding and cleaning routine.”

“I take it she’s the owner?”

Juliet took two leashes from a rack on the wall and walked along a corridor with kennels on each side. “Yes, and lives onsite here. She bought the property when she left the military. She’s one tough cookie, let me tell you. Here we are.”

Porter heard the dog before he saw it. A snuffling and snorting came from behind the security screen covering the lower half of the chain-link gate, then whining and scratching.

“It’s okay, Mollie,” Juliet said. “I can’t wait to see you either. Just give me a minute here.”

She set the screen against the wall and opened the gate. A brindle and white body came barreling out right into Juliet’s open arms. Porter stepped back. He hadn’t known what to expect, certainly not this awkward, misaligned creature with a broad, scarred head, gaping jaws, and misshapen front legs.

“Good grief, what is it? And why hasn’t it got any ears?”

“I told you she was different,” Juliet said. “This is Mollie, who is mostly pit bull. The likely reason for her ears to have been cropped would be if she came from a fighting ring. Her front legs have both been broken and healed on their own, which is why she is so bandy. But look at her, she’s all smiles and happiness despite everything that may have happened to her.”

Juliet bent down and cuddled the dog, getting a slurpy tongue all over her face in return. She clipped a leash onto Mollie’s collar and handed it to Porter. Mollie looked up at him expectantly, her tongue lolling out the side of her mouth. He slowly sank into a crouch, touched when the dog put its paw on his arm. He reached out and rubbed behind Mollie’s battered ear.

“Who could have done such a thing to you, hmm?” he queried softly.

In answer, Mollie reached up and swiped her tongue across his face.

“It looks like you have made a friend,” Juliet said.

Porter looked up. She came towards him, holding the leash of a rough-haired, sad-looking dog. While Mollie bounced up and down, her tail wagging, this dog stood beside Juliet, quietly waiting for what might come next.

“What’s her story?” Porter asked.

“Sheba was orphaned,” Juliet told him.

“Orphaned?” Porter raised an eyebrow.

“Yes, her person passed away. She’s still mourning. No one has seen her wag her tail since she came to us, and she’s been here six months already.”

“What about Mollie? How long has she been in the shelter?”

“Eighteen months.” Juliet sighed. “I wish people could see how beautiful these dogs are, inside and out. Anyway, shall we go? It’s only a couple of blocks to the beach.”

On their way through the office, Juliet stopped and filled in the book on the counter, leaving the date, her name, the dogs’ names, and the time she checked them out.

“Security,” she said in answer to Porter’s unspoken question.

They headed towards the beach, Mollie knowing where she was going and charging ahead as much as she was able. Sheba shuffled along between them. Porter looked at the dog’s low-slung head and the slouch of her shoulders.

“She looks like a German Shepherd,” he said.

“Mm, Shepherd Labrador mix, Monica thinks,” Juliet agreed. “Here we are. You can let Mollie off the leash. She’s got an excellent recall response and never goes far, so we don’t need to worry.”

“What about Sheba?”

“I think she wants to make sure nothing happens to us so she won’t go too far, either.”

Juliet unclipped Sheba’s leash, and the dog wandered a few feet ahead of them, frequently looking over her shoulder to see where they were.

“I see what you mean,” Porter said after watching her for a few moments. “That’s plain sad. You said they were old, so how old are they?”

“Best as we can tell, Mollie is ten, maybe eleven and Sheba a little older. The next-door neighbour said she was fully grown when she and her owner moved in and then lived in that house for ten years, so she might be twelve or thirteen.”

“And people don’t want older dogs?”

Juliet shook her head. “There’s always the risk of medical problems and then the expense of medications and end of life arrangements. Most people want at least a few years of fun with a dog before they have to deal with that, and some never do. They give their dogs up anyway or dump them.”

Porter shook his head. “I can’t even begin to understand how people can do that.”

Juliet shrugged. “Me neither, but it happens. Some of the reasons make me sad, some make me mad, but I’ve learnt to ignore that and concentrate on the dogs to make them as happy as I can.”

“Mollie’s certainly happy,” Porter said, nodding to where Mollie wrestled with a long strand of kelp that had washed ashore.

Juliet laughed and then whistled and Mollie hustled towards them, dragging her prize with her. They walked in silence for a while, their feet leaving prints in the wet sand and the breeze coming off the ocean misting them with salt-laden spray.

“So tell me,” Juliet began, “why were you in the office today?”

“I don’t like Christmas,” Porter said bluntly. “I treat it like any other day.”

“May I ask why?”

Porter stopped walking and stared towards the horizon where the blanket-blue bowl of the sky masked the birth of white-tipped waves that rolled across the ocean’s surface.

“Eight years ago today,” he said, watching the surf tumble onto the shore like a visitor on the doorstep, “my father didn’t wake up. Every Christmas since, Mom tries to make it a regular, everyday celebration, just like she always did when he was alive. But it’s not.”

“I’m so sorry.” Juliet slipped her hand into his. “I shouldn’t have asked.”

Porter looked down at their entwined fingers. “I should be used to it by now, but I’m not.”

“No.” Juliet shook her head. “Grieving takes as much time as it needs. I lost both my parents when I was eight, and my grandma brought me up, but she’s gone now. I haven’t got anyone to love, so I love the critters at the shelter instead.”

“And you’re happy?” Porter stopped walking and looked down at her.

“Yes,” Juliet said without hesitation. “But then, happiness is a choice, don’t you think?”

“I can’t say I’ve ever considered it.” He looked into Juliet’s eyes and saw a glow there, a glow enhanced by her wind-blown pink cheeks. She looked fresh and innocent and made him feel old and careworn. “Were you born wise, or did that come with the territory?”

Her shoulders rose and fell in a movement that seemed as natural to her as blinking. “A bit of both, I think. I certainly had my fair share of counsellors.”

“And now you have the dogs.”

She nodded in agreement and stopped to watch them.

“That’s my mom before dad died,” Porter said, nodding towards Mollie, who, with the kelp clamped between her jaws, ran in exuberant circles. “and that’s what she’s like now.” He pointed towards Sheba, who stood with her face into the wind, her nose twitching as if searching for a familiar scent.

A tremor ran through Juliet’s hand and Porter turned to her. “Are you cold?”

“A little bit,” she admitted. Porter slipped his jacket off and slung it around her shoulders, surreptitiously checking his watch as he did so.

Juliet did not miss the motion. “Have you got to be somewhere?”

“No,” he began, but then hesitated. “Uh, make that a yes. But just a minute.”

He pulled his phone out of his jacket pocket, hit a number on his speed dial and waited for the call to connect.

“Hi, Mom,” he said. “Would you mind if I bring guests for dinner? One two-legged, and two four-legged?” He paused and listened. Juliet waved a hand in front of his face, mouthing “you can’t do that,” but Porter took no notice, only catching her hand and kissing her fingers. “Okay, we’ll be there in half an hour.”

“Brad, I cannot intrude on your family Christmas,” Juliet insisted.

“Tell me you have somewhere better to be,” Porter said and grinned at her. “By the way, will Monica let you bring the dogs?”

“Probably,” Juliet said. She whistled for Mollie, who lolloped towards her like a drunken sailor, and clipped the leashes onto the dogs’ collars for the short walk back to the shelter.

Monica agreed to them taking the dogs but insisted they be back by nine o’clock for the final night check.

“We’ll probably be earlier than that,” Juliet said as she turned towards the door and joined Porter. They bundled the dogs into the back seat and Porter slid into the passenger seat. “You’ll have to give me directions.”

“Go back to the office, and I’ll direct you from there.”

Juliet did as he asked and then followed his instructions as they passed the heritage building housing IT Inc’s business premises. She followed his directions, glancing at him curiously as they headed towards a more upmarket side of town. She began to frown as they turned into an avenue lined with fan palms. Ahead of them were a set of closed gates with a security station in the centre.

“You live here?” she breathed, ducking her head to peer at the estate-style houses beyond the gate.

“No, my mother does. Can you open your window, please?”

She did as he asked and he leaned across her and waved at the security guard. “Hi, Frank. We’re just on the way to see Mom.”

“Do you want me to call her for you, Mr. Collier?”

“No, thanks,” Porter responded, “She knows we’re coming.”

Juliet sat still, staring straight ahead of her.

“Um, you can drive on now,” Porter said. “The gate’s open.”

“Yes, I see that,” Juliet snapped and put her foot down. The car shot forward, slamming Porter back in his seat and shifting the dogs. Mollie huffed, and Sheba’s wet nose connected with his neck.

Porter could barely contain a chuckle at the furious expression on her tight little face. “Mom’s house is the next drive on the right.”

Juliet swung into it with a maneuver that might have impressed a movie stunt-driver but brought a shout of laughter from Porter. She slammed to a stop and turned to face him, anger sparking electric-blue in her eyes. She took a deep breath as if struggling to form words, and then, “ohmygodyouaremyboss,” rolled out of her perfect little mouth on a single exhale.

“I’m sorry,” Porter said, “but if I had told you who I was back in the office, would you have invited me to go for a walk with you and the dogs?”

“No, of course not,” she stammered.

“And so we would not have had a perfect day, at least it’s been perfect for me. How about you?”

Juliet dropped her head but put her hand over his. “The best in a long time,” she whispered.

“Come on,” Porter said. “Mom and Aunt Min are waiting for us.”

Porter opened the back door of the car and Mollie and Sheba hopped out. Sheba looked around, her nose twitching and then she headed up the front steps with Mollie and Porter in her wake. As they approached the front door, it swung open and Sheba stopped, pricked her ears and sniffed the air.

“Well, hello, sweet girl,” Porter’s mother said. “And how are you?”

Sheba pushed her nose into Mrs. Collier’s outstretched hand and wagged her tail, leaving Juliet speechless. Porter grinned at her, then leaned in and kissed his mother on the cheek. “Thanks for having us all, Mom.”

Mollie charged through the open doorway. They heard her claws skittering on the tiled floor and then another voice yelled, “what the hell is that thing?”

Porter held out his hand to Juliet.

“Come on,” he said. “Now they have met the dogs it’s time for my mother and my aunt to meet my Christmas Angel.”



Friday, October 16, 2020


 

Our Round Robin Blog for October 17, 2020 asks: What is/are your favorite book(s) of all time in your favorite genre(s) including children’s books, non-fiction books or magazines?

 

Hmm. Let me see. Have you got time? This is so difficult to answer. There are so many good books out there. Going into a bookstore is an adventure. I never know what I will come across. Never mind the title and story, what will the pages be like to smell or touch?

As Helene Hanff says in 84 Charing Cross Road of one of the books she received, ‘I’m almost afraid to handle such soft vellum and heavy cream-coloured pages. Being used to the dead-white paper and stiff cardboardy covers of American books, I never knew a book could be such a joy to the touch.’


Like Helene, I still have books that are a joy to touch. An old, first edition copy Kipling’s Thy Servant a Dog, an illustrated copy of The Wind in the Willows and Nicolas Bentley’s Tales from Shakespeare, are just a few that I pull out from time to time not only to read but to smell and touch.


Quite apart from their tactile properties, what about the content? Horses have always been a passion of mine, so from my childhood reading my favourite book is Anna Sewell’s classic Black Beauty. I don’t know how many times I have read it. Close behind it is Rumer Godden’s The Dark Horse, set in 1930’s India and based on a true story.

Reading came first and foremost in my family and I don’t remember a time when I didn’t have books around me. My mother collected Mazo de la Roche’s Jalna books while my dad was a fan of the Brother Cadfael books. I discovered Regency romance with the publication of Georgette Heyer’s Frederica in 1965 and have been a fan of that genre ever since. Frederica remains a firm favourite as I still find it as fresh and funny as the first time I read it.

I enjoy reading thrillers too, and at one time owned all the Dick Francis racing thrillers. Out of all his titles Smokescreen, set in South Africa, was my favourite. More recently I’ve become a fan of   Lee Child’s Jack Reacher novels and am working my way through his titles. There’s the law and then there’s justice and I can’t help liking Reacher’s sometime rough take on that.

Non-fiction is not at the top of my list, but I have recently become reacquainted with Stevie Cameron’s Blue Trust: the Author, the Lawyer, the Wife, and Her Money, which reads like a novel and is the story of tax lawyer Bruce Verchere who included amongst his clients the author Arthur Hailey. I found this an intriguing as any thriller, loaned it to a friend and never saw it again. If I really enjoy a book, I will read it again and again, so I am very happy to have this one back in my collection.

As far as magazines are concerned, any edition of National Geographic will keep me happy. I think the most iconic cover for me, and for many people, is the image of the young Afghan girl with green eyes. I don’t often buy magazines, but if I am going to indulge these days I will always buy the Hello! Magazine, either the U.K. or Canadian edition. If I am visiting the U.K., I will always bring back with me a copy of The Lady Magazine which has been in continuous publication since 1885 and was a
favourite of my grandmother’s.

I’m off now to check on my fellow bloggers’ favourites and don’t mind betting that several will end up on my wish list.

 


Anne Stenhouse  
http://annestenhousenovelist.wordpress.com/
Skye Taylor 
http://www.skye-writer.com/blogging_by_the_sea
Diane Bator 
http://dbator.blogspot.ca/
Connie Vines 
http://mizging.blogspot.com/
Dr. Bob Rich 
https://wp.me/p3Xihq-26c
Fiona McGier 
http://www.fionamcgier.com/
Helena Fairfax 
http://www.helenafairfax.com/blog
Beverley Bateman 
http://beverleybateman.blogspot.ca/
Rhobin L Courtright 
http://www.rhobincourtright.com

Friday, September 18, 2020

Subtlety or Intuition?

                     

Most novels have an easily understood point to make to the reader, do your stories ever have more subtle or intuitive themes?

This month’s topic is something of a tricky question. Writers, especially newbie writers, quite frequently worry how much of themselves they are revealing in their writing. It therefore follows that to write subtle or intuitive themes would suggest the author has those qualities and is writing from their own point of view or at the very least understands them in order to introduce them in their writing. 

Looking at all my stories, the heart of them concerns love, loyalty, and fidelity between my characters whether they are already married, as with Lord and Lady Buxton in The Buxton Chronicles, or become married which is the theme of all my Regency stories, Brides of Banff Springs and even my contemporary western romance, Loving That Cowboy.

During the Regency era in which I set most of my novels, women were not only expected to get married, but expected it of themselves with few exceptions, Jane Austen being one of them. Aristocratic families married not so much for love as economics. How does one enlarge one’s estate and holdings? Marry the heir or heiress next door. While that might sound cold it was just the way of things amongst the upper class. Once an heir arrived to complete the happy or not union, the lord was free to take a mistress (if he ever gave one up) and his lady, discreetly of course, took lovers while everyone turned a blind eye to their extra-marital shenanigans. Or, as in the case of Georgiana, Duchess of Devonshire who, later in her marriage to the emotionally distant Duke, was forced to accept his mistress Lady Elizabeth Foster into a ménage à trois which delighted the gossip-mongers of the day.

While love and marriage is not so much a subtle theme, it is nonetheless at the heart of most romances. The ‘aha’ moment of when the characters finally admit they have fallen in love is what romance readers look forward. If the characters are not married by the end of the book then you darn well know that a wedding will take place soon after. It’s the Happy Ever After that seals the romantic deal.

Subtlety is the art of making use of clever or indirect methods to achieve something while intuition is the ability of immediate understanding. If all our characters or story themes were based on intuition, would we ever have a story? A subtle approach offers much more scope for both characters and plot, and hopefully a happy ever after result for the reader.

I wonder what my fellow bloggers have to say on the subject? Hop on over to their blogs to find out.

Connie Vines http://mizging.blogspot.com/
Judith Copek 
http://lynx-sis.blogspot.com/
Diane Bator 
http://dbator.blogspot.ca/
Fiona McGier 
http://www.fionamcgier.com/
Dr. Bob Rich 
https://wp.me/p3Xihq-22c
Anne Stenhouse  
http://annestenhousenovelist.wordpress.com/
Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
Helena Fairfax 
http://www.helenafairfax.com/blog
Rhobin L Courtright 
http://www.rhobincourtright.com

 


Friday, August 21, 2020

What Elements Make Your Writing More Realistic?

 


This month our Round Robin blog asks: To make a story seem and feel more realistic to the reader, what elements do you include in your stories?
 

Oh, where to start? There are so many elements that I like to include but I will start with the setting. I work as much at creating my setting as I do my characters’ backstories. The setting is, after all, the stage you set your characters on.

Because my stories are mostly Regency romance, I tend to have a mix of city and rural settings. My characters spend summers at their country estates and the Season, aligned with when parliament was in session, in London, with the busiest time being between Easter and when parliament adjourned in July. By then most people who could afford to were keen to get out of town because of the smell.

Country estates are lovely to create and many of my imaginary ones come from illustrations in books like Country Houses From the Air or The English Country House and the very useful Georgian and Regency Houses Explained. I have floor plans for country houses and smaller but no less impressive town houses. From these I can create my settings with a measure of accuracy and viability. What might be included on any of these estates as far as farms and crops are concerned, are all gleaned from internet searches for letters and records of the big houses, some of them going back hundreds of years, and depend on what part of the country (being England, Scotland, or Wales) the estate is. Building styles change somewhat from county to county depending on what materials are available, or how wealthy the lord of the manor might be.

Typical Cotswold Stone house Jones&Campbell

Weather with all the light and shade that comes with it, plays a part in my settings, too. For information on that for a particular year I start with a visit to https://premium.weatherweb.net/weather-in-history-1800-to-1849-ad/ and to pin-point where my characters are for what special days to create a timeline I consult https://www.timeanddate.com/calendar/?year=1818&country=9. The weather can affect so many aspects of my character’s mood. If it’s warm and sunny, then likely she is too. If it’s raining, all sorts of events can transpire from that. Think Marianne Dashwood getting soaked in the rain in Sense and Sensibility. Rain heralded my hero’s arrival in Folkestone in my book His Dark Enchantress. It fit his mood and the seriousness of the situation in which his wife, my heroine, had been abducted.


AVAILABLE HERE

Plants and flowers play a part, too, and for this I use a Reader’s Digest book of English flora, plus Culpeper’s Complete Herbal. It pays to know what plants grow in which part of the country because someone will surely call you out if have a daffodil growing where it never would or a lark singing in central London as this is a bird that likes open countryside.

How I dress my characters also comes into play and for this I use an Illustrated Encyclopedia of Costume, Fashion in Jane Austen’s London and just because, The History of Underclothes. YouTube can be particularly useful as well, especially clips like Undressing Mr. Darcy. I guess I’m a bit of a nerd because I do enjoy research and if I come across a particularly interesting snippet, it makes my day. Whether I can use it or not in a book becomes another thing altogether.

Now I’m off to see what elements these authors include in their writing. I hope you’ll take a look at them, too.

Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
 Judith Copek 
http://lynx-sis.blogspot.com/
Diane Bator 
http://dbator.blogspot.ca/
Dr. Bob Rich 
https://wp.me/p3Xihq-1ZR
Beverley Bateman 
http://beverleybateman.blogspot.ca/
Fiona McGier 
http://www.fionamcgier.com/
Rhobin L Courtright 
http://www.rhobincourtright.com

 

Friday, August 14, 2020

A Last Resort

 

AVAILABLE HERE


If you're looking for a light, funny, read for this weekend, try Brenda Sinclair's A Last Resort. 

What author wouldn't appreciate the use of her editor's getaway cabin in lush British Columbia? Emma Sullivan can't wait for the peace and quiet of the forest surroundings in which to finish her current work in progress.

Ha. She hasn't allowed for one man and his dog. Enter Lyndon Reynolds and Jake. From there work slows for both of them, until she discovers the man can - but I'm not telling what Lyndon can do. Get the book and read it for yourself.

Their growing romance is hampered by the arrival of an unexpected third party and some pertinent threads about home and family get thrown into the mix. 

And just to give you a taste, here's a little excerpt:

Emma’s traitorous heart skipped a beat at what sounded like a compliment. So, Lyndon was divorced. Perhaps he’d rescued Jake for company since he was single. Misplaced modifier. Lyndon was single, not Jake. Jake probably was also. Oh, for Pete’s sake. Authors seldom missed spotting poor grammar, even when it was their own. Finding himself single again, Lyndon adopted a cute rescue named Jake. She mentally shook herself as she silently rephrased her thought. Once an author…

Sinclair is nothing if not prolific. This is her 30th book. She writes both contemporary romance and western historical romance. For a list of her books and to see what she is up to now, visit her website at https://www.brendasinclairauthor.com/about-brenda/.

Thursday, August 6, 2020

Sophie's Choice by A.M. Westerling

AVAILABLE HERE 


I have always enjoyed fellow Books We Love author A.M. Westerling's books. Her latest, Sophie's Choice, a Regency romance, is the first title in her Ladies of Harrington House series. The other ladies are Sophie's sisters, Leah and Catherine. I look forward to reading their stories.

What first appealed to me about Sophie’s Choice was that it is set in Cornwall, one of my favourite English counties. I have fond memories of summers spent there as a child and later touring for my own satisfaction from the heights of Rough Tor on Bodmin Moor to the tip of Land’s End and all the neat little fishing villages up and down the coast.

The story involves smugglers and smuggling, for which Cornwall was notorious but I’ll leave you to discover that on your own. I really enjoy Westerling’s style, this snippet is about her heroine, Sophie:

The gravel pricked against the soles of her feet, delightful in its intensity and for the first time in weeks she felt alive, well and truly alive.

Haven’t we all done something like that at one time or another? And what about this for a description of a hero?

He was handsome, to say the least – tall, dark and lean with a rapacious air about him as if he would pounce on his prey at any moment.

That ‘rapacious air’ gave me the chills in the best kind of way and I was immediately drawn to Lord Bryce Langdon.

Along the way to their happy-ever-after ending, it’s a romance so of course there is one, Sophie squabbles with her sisters in a very memorable and realistic way. Think Lady Mary and her sister Lady Edith in Downton Abbey, or any of the March sisters in Little Women. Here are Sophie and Leah:

Leah, suitably chastened, slumped down against the squabs but not without a final dig at Sophie. “Oh, what a handsome groom Weston would make, he of the red spotted face and rat’s teeth.”

And this is what Sophie feels about her sisters:

Sophie gritted her teeth. Leah’s forward ways grated, however Catherine’s blameless demeanour wore thin as well.

There is depth of feeling in the portrayal of the Harringtons and they come over as a well-rounded family in an era when that wasn’t always the case.

The story evolves at a steady pace with quite a few unexpected twists and turns. If you are looking for an enjoyable weekend read, look no further. I fully recommend it.


Saturday, May 16, 2020

Thoughts on Editing




So here we are in May 2020, already. To celebrate spring, we also have a brand-new logo, thanks to Connie Vines. Our Round Robin topic for the month is on editing. All books go through multiple edits. What have you learned are your problems, and what irks you about editing? Some writers tackle it with gusto, some writers sigh and get on with it, and other writers (unfortunately) seem to think they don’t need it.

Hey guys, sorry to have to tell you – but you do. It is a fact that every author who wishes to produce a professional product needs editing. It doesn’t matter how great the story is. The author is cheating his or her audience if they do not put out their best work, and that includes paying attention to the editing. Editing is so much more than weeding out typos, so let’s take a look at the different types of editor an author needs.

Firstly, there are the Developmental Editors who have eagle eyes for plot holes, weak characterization and will find the problems with any and every aspect of the story. They look at the structure, pacing, timelines and presentation of a book.

Next come the grammar police. These are the Copy Editors who look for consistency in your writing from the use of commas and exclamation marks to quotation marks and spelling.

Want someone extra picky? That would be the Line Editors who go through work, just as their title says, line by line. They look at word choices, sentence construction and the meaning of each sentence. A Line Editor will likely suggest how you can tighten your writing to make it flow better, which makes it easier for the reader to follow.

Last, but not least, is the Proofreader. A good proofreader will pick up on spelling mistakes and typos in general. They should also notice if an author has inadvertently changed a character’s hair or eye colour. Yes, despite everything, this still happens. If there is a reason for it, say a green-eyed girl wearing blue contacts, that’s fine but the reader needs to know that reason, which is fine. However, if there is no explanation then this would be an error for the author to correct.

Many new authors still rely on good friends, family members, or beta readers, but these are not editors. The best these good folks can do, unless they are professional authors themselves, is offer feedback. What they liked or didn’t like about your story, what worked for them or not. They may like your least favourite character and vice versa. They may make suggestions that make an author cringe that they had missed that particular point. When I wrote Shell Shocked, one of my beta readers pointed out that the dog didn’t enter the story until the mid-point in the book. As it happened, she was right, so I had to introduce the dog, who was an essential element, much sooner in the book. 

One of my biggest problems in every book I write is crutch words. These need not necessarily be the same words for each book, but they are there. In one book, my hero’s face could have frozen with all the grinning he did. In another, my heroine had a bad habit of sighing. But, hey, this is what first, second, third and however many drafts are required, are for.

In that first heady rush to get the words on the page, I tend to use past tense as in had, was, were. When I start my editing process these are the first words I weed out and re-write the sentence they appear in. There are times when they are necessary and nothing else will do.

It doesn’t matter how many edits my work has, what always annoys is me that when I get my print copy, I invariably find an error. Never mind all the good stuff, I just have a nose for that wrong word or missing period. So far I haven’t found one on any of my first pages, unlike the ‘heard of cattle’ and ‘he tossed his reigns over the hitching post’ I have come across. I once mentioned this to a Harlequin editor I met at a workshop. She just laughed and said we’re all human and errors will always occur. I should take heart from that but, being a nit-picking Virgo, my errors will always bug me.

I hope you’ll join me in visiting the following authors to see how they feel about editing.